CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They in many cases are yearning romantics, with this big difference: Buster seems a plausible mate, as well as Tramp hardly appears to have a libido, only idealized notions. If their comedies had been designed in a far more liberated time, it is feasible to assume Keaton in bed with a girl, but disquieting to think of the Tramp being a sexual curre